Yulia Tsutserova
Lecturer
- Department: Comparative Literature and English
- Office:TBD
- Office Hours:Tue/Fri 11:00-12:00, by appointment 48 hours in advance
Having obtained a Bachelor’s degree in Fine Arts (Drawing and Painting), Yuliya TSUTSEROVA completed her education by an interdisciplinary doctorate in philosophy, literature, and visual culture at the University of Chicago. She defended a dissertation entitled "The Work of Art as a Site of Encounter in Martin Heidegger" under the direction of Jean-Luc Marion. Qualified to teach in the areas of philosophy of art and literary criticism, literary and visual genres, modern and contemporary philosophy, Yuliya Tsutserova has taught, among others, the following courses :
- Le sublime/La critiqueÌý| École des Arts de la Sorbonne, Université Panthéon-Sorbonne
- Imitation, vérité, imaginationÌý|ÌýÉcole des Arts de la Sorbonne, Université Panthéon-Sorbonne
- Writing and Criticism (Eros and Poesis)Ìý| American University of Paris
- Writing and Criticism (Con-figuration, De-figuration, Trans-figuration)Ìý| American University of Paris
- Atelier de la pensée critique : histoire, définitions, usagesÌý| ENSTA Paris
- Éthique : Vertu, droit et politique chez Aristote et KantÌý| Université Paris-Sorbonne
- Politics and ReligionsÌý| Paris Global Institute, Council on International Educational Exchange
- Philosophical Perspectives on the HumanitiesÌý|ÌýThe University of Chicago
Her teaching activities are enriched by her research on the subject of artistic and philosophical creation understood in terms of spontaneity, experimentation, discovery and the unexpected. "Creative Intuition, Understanding, and Reception in Bergson, Husserl and Ingarden" is her latest study in a series of publications such as "Creative Configuration as the Logic of Cultural Sense in Husserl and Cassirer" and "The Suprasubjective and Creative Origin of Predication in Heidegger."
Education/Degrees
PhD, The University of Chicago
Research Areas
Contemporary Continental Philosophy (German & French Phenomenology)
Aesthetics, Art History, Visual Arts Theory & Practice
Literary Theory & Criticism, 19th- & 20th-Century Novel